El-Amarna Tablets from Megiddo

In 1887, Egyptian farmers discovered a large number of clay cuneiform tablets at the ancient site of Tell el-Amarna, the location of Akhetaten, the capital of Egypt during the reign of Amenophis IV (Akhenaten). The archive consisted of about 380 clay tablets, most of which were written in Akkadian cuneiform, including 7 from Megiddo. The documents formed part of the royal correspondence of three Pharaohs: Amenophis III, Amenophis IV and Tutankhamon. The Amarna tablets have supplied exciting and vital information about the political and cultural interaction between Egypt, Canaan and the rest of the Ancient Near East during the Amarna Period (ca. 1375-1325 BCE). The nature of Egyptian influence in Canaan during the period is still the subject of lively debate, due in part to the complexity of the archaeological record, which comes mainly from the 13-12th centuries. The archaeological and the historical data point to the existence of an Egyptian administrative system in Canaan, controlling satellite city-states, which maintained a limited degree of autonomy. Though the textual information has been extracted from the documents, no attempt has been made to systematically investigate the source of the tablets based on their raw material, i.e. the clay itself. This investigation is essential for the reconstruction of the system of Canaanite city-states in the Late Bronze Age.

Ancient Near Eastern cuneiform archives contain numerous tablets of unknown origin. In cases where the name of the sender or his domicile is missing or when the location of the city is not clearly established, scholars can only hope to find some paleographic, linguistic, or thematic clues to the origin of a tablet. The investigation of the provenance of tablets through the examination of their clay seems to be a promising complementary approach. Using both petrographic and elemental analysis, the authors investigated most of the archive, including those tablets assigned to Megiddo.

Various techniques are employed for analyzing the composition of pottery and other ceramic artifacts. Basically they can be divided into physical and chemical methods. Physical methods identify the minerals in the clay and temper and define the texture and fabric of the sherd. Chemical methods use diverse analytical techniques to measure concentrations of chemical elements. Petrography is the most commonly used physical method in pottery analyses, whereas Neutron Activation Analysis (NAA) is the most common chemical method.

Naturally, every analytical method has its advantages and limitations. If the primary goal is to assign provenance, for example, the quality of interpretation depends heavily on the availability and quality of comparative materials. Best results are achieved by combining several methods. In pottery provenance studies, petrography is applied to a large number of items, and the results are used to select samples for chemical analyses. This approach, however, is less relevant for the study of clay tablets, where the number of the examined items is limited and each item poses unique questions. For example, tablets might have been produced from different clay types than pottery vessels, even within a single site. In such cases, the composition of the tablet is not likely to match any known clay source used for the production of ceramic vessels. In fact, our study of the Amarna tablets indeed revealed several such cases.

Petrography has the advantage of being independent, so that when a reference pottery database is unavailable, the results can be interpreted based on detailed geological maps. So, although petrography does not have the accuracy of chemical analyses, it is independent of incomplete, poorly selected, or unevenly spread databases and reference groups. For this and other reasons, petrography was selected as the primary method for our research on the Amarna tablets.

Megiddo is first mentioned in the textual sources concerning the campaign of the Egyptian Pharaoh Thutmose III (see "Thutmose III and the > Aruna Pass Survey" in Revelations No. 2). Following the Thutmose III victory, Megiddo recovered during the Amarna Period, at which time it became an Egyptian center. From an economic point of view, Megiddo dominated one of the richest areas of the country, a fact that is reflected in the size and wealth of its palaces and temple. A large number of Egyptian artifacts have been uncovered in Stratum VIIA from the 12th century.

Megiddo must have included an Akkadian scribal school in the Amarna Age. A fragment of a tablet containing the Epic of Gilgamesh was found at Megiddo, which indicates that Akkadian was taught in its scribal curriculum (literary compositions of this kind were used only in schools). Further, the Amarna tablets from Megiddo are marked by the quality of the clay and the excellent handwriting.

Tablet EA 365 from Biridiya, ruler of Megiddo.

Seven tablets from Megiddo were preserved in the Amarna corres-pondence (EA 242-247, 365; see Moran, W. 1992. The Amarna Letters), together with another letter said to have been sent from Megiddo (EA 248).

Biridiya, the ruler of Megiddo (Magidda in his letters to the Pharaoh), played the difficult and dangerous game of local Realpolitik, in which the rulers of the various city-states vied with one another for territory, property and status, while simultaneously attempting to maintain the Pharaoh’s confidence in their loyalty to the Egyptian Empire which governed them all. To emphasize his steadfastness, Biridiya opened his correspondence with the standard formulaic vassal greeting, "Say to the king, my lord and my Sun: I prostrate myself at the feet of the king, my lord and my Sun, 7 times and 7 times" (e.g. EA 242), and he is careful to send Pharaoh his tribute of oxen, sheep, goats and birds. He also provides the Pharaoh corvée workers, a duty, he is quick to emphasize, which only he among all his neighbors regularly fulfills (EA 365). Biridiya’s chief local nemesis seems to have been Lab’ayu, the ruler of nearby Shechem, who, according to Biridiya (EA 244), besieged Maggida, thus preventing the population from leaving or entering, disturbing the harvest, and causing a plague. Biridiya portrays his defense of his city as the protection of "Magidda, the city of the king, my lord," and pleads with Pharaoh to take notice of his plight and send him a 100-man Egyptian garrison to protect him and Magidda. A later letter (EA 245) tells of Lab’ayu’s capture and slaying. Since the Pharaoh had wanted Lab’ayu alive, he had been entrusted to Surata, the ruler of Acco. Instead of shipping him to Egypt, as he had promised Biridiya, Surata ransomed him, a trick that greatly displeased the Pharaoh. But Biridiya claims to have had an alibi: he had sped off to save Lab’ayu (a little hard to believe, considering Biridiya’s enmity for Lab’ayu), but during the action Biridiya’s horse was struck by an arrow, forcing him to mount up behind YaÁ data, the ruler of Ta‘anach. But, before Biridiya and YaÁ data could reach Lab’ayu and his captors, he had been killed.

EA 248, authored by YaÁ data — who humbly calls himself "the dirt at the feet of the king" — is unique, since its author has taken refuge with Biridiya at Magidda, because, "everything the king, my lord, gave to his servant, the men of Ta‘anach have made off with; they have slaughtered my oxen and driven me away." It appears YaÁ data was hardly the Richelieu of Canaanite Realpolitik.

The Megiddo tablets are distinguished by their bright whitish color, a departure from the darker shades of tablets from other Canaanite cities. Petrographic examinations of the Megiddo tablets confirm that, mineralogically, these letters were written on marl that was likely collected near Megiddo. Chemical analysis indicates that the Megiddo tablets are unique in their elemental composition. In the case of the tablets from Megiddo, the petrography served largely to confirm their provenance, since the content of the text makes obvious that their origin was Megiddo.

Yuval Goren, Israel Finkelstein, Nadav Na’aman

Source: http://www.tau.ac.il/~archpubs/megiddo/revelations4.html

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